![]() To me they sound too tell-tale or the sounds are so far removed from what I’m working on that I would have to mix every other track differently around the Heavyocity sound. Even the single-hits kits are so fully realized and polished that it's damn near impossible to "sculpt" them into anything useful in your own material. The stuff is just way too pre-arranged, polished, and finished to be helpful in an actual creative context. Mholloway wrote:I bought Damage years ago because it seemed a perfect fit for my main genre interest (industrial) I've used it about 2 or 3 times, and tried to use it about 30 or 40 times. Just my view, if somebody can come up with awesome original results with this material rather than just canned playback of Heavyocity's (admittedly great sounding) work, I'd love to hear it. I'm sure many will disagree with me, -shrug. ![]() I bought Damage years ago because it seemed a perfect fit for my main genre interest (industrial) I've used it about 2 or 3 times, and tried to use it about 30 or 40 times. let's just say I think Heayocity is the only one getting anywhere in that arrangement. And hey, if you're getting paid to throw three Heavyocity-designed loops into a car commercial, you're doing alright! But the bedroom hobbyists shelling out hundreds so they can press a single key and sound like Zimmer, et al, well. Or, of course, for "time strapped professionals" who have no creative ambition beyond their next paycheck. Most heavyocity stuff is targeted at lazy 'composers' who want canned sounds / loops rather than learning how to make this stuff on their own.
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